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Here are all the paintings of August Strindberg 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 23185 |
 |
Allee (nn02) |
1903
Oil on canvas,37 x 20 7/8'' Thielska Galleriet,Stockholm |
| 91050 |
 |
Coastal Landscape II |
1903(1903)
Medium oil on canvas
Dimensions 76 x 55 cm (29.9 x 21.7 in)
cyf |
| 85592 |
 |
Seascape |
1894(1894)
English: Oil on paperboard
Dimensions 46.5 x 31.5 cm (18.3 x 12.4 in)
cjr |
| 89846 |
 |
Seascape |
1894(1894)
Medium Svenska: Olja på papp
English: Oil on paperboard
Dimensions 46.5 x 31.5 cm (18.3 x 12.4 in)
cyf |
| 97953 |
 |
Seascape |
Oil on paperboard
Dimensions 46.5 x 31.5 cm
cyf |
| 56377 |
 |
the city |
mk247
1903,oil on canvas,37.25x20.875 in,94.5x53 cm,nationalmuseum,stockholm,sweden |
| 23184 |
 |
The City (nn02 |
c 1903 Oil on canvas
37 5/16 x 20 7/8'' Nationalmuseum,Stockholm |
| 90696 |
 |
The Town |
1903(1903)
Medium oil on canvas
Dimensions 94.5 x 53 cm (37.2 x 20.9 in)
cyf |
| 11719 |
 |
Wave VII |
ca 1900-1901
1' 10 1/2'' x 1' 2 1/4''(57 x 36 cm) |
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| August Strindberg
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| 1849-1912
Swedish painter, sculptor and playwright. He had no art training, but learnt from artist friends after abandoning his studies at the University of Uppsala in 1872. The chief influence on him was Per Ekström, whose broken colour-spot technique he attempted to copy during his initial painting period in 1872-4 in Stockholm and on the skerry-islands Kymmendö and Sandhamn. Very little of Strindberg's early painting survives, but he had already found his special motifs: the sea, usually with turbulent waves; solitary trees or flowers on bare cliffs or sandy beaches in the outermost fringe of the skerries. After he stopped painting in 1874 he became Sweden's leading art critic, as well as the ideological leader of the radical Swedish artists' movement, which in 1884 formed the Konstnärsförbund (the Artists' Association) in protest against the Academy of Art. Prominent among the members were the painters Carl Olof Larsson, Karl Nordström and Richard Bergh. During this period, however, he produced sketches in words and pictures as illustrations to his own writings, which Carl Larsson was commissioned to do thereafter. From 1883 he stayed abroad, primarily in France and Switzerland, and belonged during a couple of long periods to the Scandinavian artists' colony in Grez-sur-Loing, near Fontainebleau in France. In 1886 in Switzerland he started photography and took a series of self-portraits that were intended for publication
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